Name of Programme
MA Art Market, Provenance and the History of Collecting
MA Art Market, Provenance and the History of Collecting [Part Time]
Final Award
MA
Location
London
Awarding Institution/Body
University Of ³Ô¹ÏÍø
Teaching Institution
University Of ³Ô¹ÏÍø
School of Study
School of Humanities and Social Sciences [London]
Programme Code(s)
PMAF1PAM / Full Time / 1 Year
PMAP2PAM / Part Time / 2 Years / MA Art Market, Provenance and the History of Collecting [Part Time]
Professional Body Accreditation
N/A
Relevant Subject Benchmark Statement (SBS)
QAA SBS Art and Design (2019)
Admission Criteria
A good second class honours degree or above or equivalent work experience
Applicable Cohort(s)
September 2024 Onwards
FHEQ Level
7
UCAS Code
Summary of Programme
The MA Art Market, Provenance and the History of Collecting offers an exciting and unique opportunity to study European and global art markets and cultures of collecting from a wide range of disciplinary approaches. Both academic and vocational, the MA strongly focuses on research skills, on Provenance Research, and on the first-hand study of objects and collections within museums. The MA is taught in central London by specialists from The University of ³Ô¹ÏÍø and from outside experts. At the heart of a cosmopolitan city, whose institutions have been shaped by centuries of collecting and dealership, students will have access to globally renowned museums, galleries, auction houses, archives, and libraries. A Country House Study Week and Study Week to Vienna or Florence make this programme unique and allow for a comparative approach and a truly international experience.

Educational Aims of the Programme
To provide students with a range of skills and knowledge which will help them to pursue careers in such fields as museum curatorship, antique dealing and auctioneering, historic house management, teaching and research, interior design.

To provide students with a broad historical and art-historical understanding of the development of the Global Art Market, the History of Collecting and Provenance Research.

To provide students with a contextual understanding of the ways in which the history of collecting is related to the history of ideas and the development of knowledge.

To provide students with a contextual understanding of the ways in which the theory and practice of collecting and dealing shaped new direction in art, architecture and taste.

To provide students with practical, transferable skills in Provenance Research and broad knowledge of the current debates and methodologies in the discipline.

To develop students’ general awareness of the interrelationship between history of art and history of culture.

To develop students’ general awareness of the interrelationship between history of collecting and the history of science and technology.

To encourage an understanding of the consumption, production and marketing of artworks and luxury goods as well as of patronage and collecting and of the relationships between production, display and classification.

To improve and develop students’ visual and critical skills and understanding of issues of display, classification, interpretation and communication in the museum world, which would be relevant for careers in museums, galleries, auction houses and the heritage sector.

To give students practical experience of researching a topic related to collections of objects through projects based within a museum or historic house context. The projects will call upon a range of historical, curatorial, organisational and presentational skills and aim to instil a basic understanding of the practical principles involved in project research, researching and interpreting collections, organising an exhibition within a museum, which would be of particular relevance to those seeking careers in the museums or commercial fields.

To train students to work independently to tight deadlines.

To develop students’ ability to argue and improve their oral presentational skills through the presentation of seminar papers and presentation of the projects.

To train students in academic analysis, argument and research methodologies and improve their writing skills through assignments such as essays, online blogs, catalogue entries, project reports and the dissertation.

To provide students with the necessary skills of independent appraisal of primary sources and secondary literature to carry out independent original research and present that research in an academically correct manner, thus equipping students to carry out further research.
Programme Outcomes

Knowledge and Understanding

• Thorough knowledge of art-historical/ historical framework for the development of the Global MA Art Market, Provenance and the History of Collecting within the period studied
• Some detailed knowledge of areas covered
• Broad understanding of the relationship between collections, ideas and knowledge
• Broad understanding of the relationship between collections, interiors and architecture
• Awareness of patronage/collecting and how both have conditioned the design and decoration of objects and artworks, their presentation within the interior, and the development of taste.
• Knowledge of social and cultural history and its relationship to objects, display and taste.
• Practical knowledge in Provenance Research.
• Understanding of the interpretation of objects in a variety of contexts and to differing audiences, which equip students for curatorial roles.
• Skills in advanced academic critical analysis, argument and research methodologies
• Skills of independent critical appraisal of primary sources and secondary literature to carry out independent original research and present that research in an academically correct manner

Teaching/Learning Strategy

• Lectures, seminars, museum and gallery talks, and class trips to provide the historical framework for first-hand contact with objects, their display and interpretation, which develops historical and visual/critical awareness
• Tutorials, essays and research projects consolidate and test this knowledge
• Oral presentations practise communications skills and demonstrate knowledge and awareness
• Teaching in collaborating with museum curatorial staff to enhance visual awareness, understanding of practical processes and curatorial issues.
• Lectures on history of collecting, the art market and provenance research by tutor and outside experts
• Development of professional skills applied in depth through project research
• Lectures and dissertation supervisions provide guidance on methodology, feedback on research and advice on correct academic method in presenting the results of the research
• Dissertation develops detailed knowledge



• Dissertation develops detailed knowledge

Assessment Strategy

• Essay, Exercises and Research Projects test broad historical and art historical knowledge of the development of the Art Market, Provenance and the History of Collecting
• Dissertation and Research Projects test research skills and detailed knowledge of some areas of the curriculum
• Essays and seminars test broad awareness of patronage, collecting and the art market.
• The Exhibition Project tests awareness of object interpretation in exhibitions and practical curatorial issues.
• The Objects Interpretation Project requires presenting object-based research to non-specialist audiences.
Programme Outcomes

Cognitive Skills

• Ability to critically analyse historical data.
• Ability to bring together historical and visual analysis in a coherent and productive way and draw conclusions.
• Ability to identify and evaluate differing points of view and argue a case.
• Skill in identifying practical problems.
• Skill in searching for information using art libraries and databases.
• Research skills – use of primary evidence and ability to evaluate secondary literature.
• Skill in critically evaluating buildings and art objects and drawing visual comparisons.
• Ability to present written work to high academic standard.

Teaching/Learning Strategy

• Essays and seminar presentations test and develop analytical and argumentative abilities.
• First-hand analysis of building/objects/collections on class trips develop critical skills.
• Seminars and group work promote the ability to identify varying points of view, argue a case and listen critically to the opinions of others.
• Essays, seminar papers, and the projects develop research skills and the ability to draw meaningfully upon both visual and documentary evidence. This helps to prepare students for the dissertation, where these skills are developed in greater depth.
• Projects promote understanding of practical problems.

Assessment Strategy

• Written assignments such as extended essays and reports, and seminar presentations assess and develop analytical and argumentative abilities.
• Essays, seminar papers and projects test research skills
awareness of differing methodologies and the ability to interrogate primary and secondary sources, both visual and textual, which is developed and tested in greater depth in the dissertation.
Programme Outcomes

Practical/Transferable Skills

• Ability to analyse collections, objects and their provenance, and understand the relationship between form, display, classification and culture.
• Ability to evaluate critically historical and documentary evidence.
• Skill in presenting that evidence in a structured and coherent way both orally and in a range of different written forms.
• Ability to critically engage with scholarship and current art historical debates.
• Ability to work both independently as a researcher and as part of a group.
• Ability to listen to and evaluate the opinions others and bring them together in a group situation.

Practical skills:

• Problem solving skills.
• Ability to analyse objects and buildings and make decisions as to dating, arrangement and display.
• Ability to plan a project and work to a budget within a tight timeframe.
• Skills of interpretation/education.
• Skills of independent research.
• Oral communication of specialist knowledge.
• Written communication of specialist knowledge for specialist and non-specialist audiences, and in scholarly outputs.

Teaching/Learning Strategy

• Lectures, gallery workshops, class-trips and seminars promote visual and critical awareness.
• Preparation for essays and seminar papers teaches skills in presenting evidence, self-evaluating and editing.
• Dissertation teaches research skills and fosters intellectual independence.
• Group work in seminars encourages listening to and evaluating opinions of others.
• Lectures on Research Skills and Projects ensure students present written work to high academic and industry standard.
• Lectures and Project on curating exhibitions ensure students present ideas and research in line with current museum standards.
• Project teach skills in problem-solving, managing stakeholders, marketing, and practical and interpretive skills related to research.
• Class trips and object handling sessions develop analytical skills.
• The dissertation teaches independent research skills.
• Seminar papers and the projects require oral presentation skills and the ability to answer questions.
• Written assignments cement written presentation skills.
• Writing for public outlets teaches skills in succinct and inclusive written communication.
• Coursework and exams develop time management skills.

Assessment Strategy

• Ability to evaluate documentary/historical evidence assessed through essays, presentations, projects and the dissertation
• Written presentational skills assessed through essays, project report and the dissertation
• Oral presentation skills assessed through seminar presentations and project presentations
• Independent working assessed through seminars, projects and dissertation
• Problem solving skills assessed through projects
• Skills of physical and intellectual analysis assessed through projects and dissertation
• Planning skills assessed through projects
• Interpretation/education skills assessed through projects & essays
• Research skills assessed through projects & dissertation.
• Oral presentation: project/seminars
External Reference Points
Please note: This specification provides a concise summary of the main features of the programme and the learning outcomes that a typical student might reasonably be expected to achieve and demonstrate if he/she takes full advantage of the learning opportunities that are provided. More detailed information on the learning outcomes, content and teaching, learning and assessment methods of each course unit/module can be found in the departmental or programme handbook. The accuracy of the information contained in this document is reviewed annually by the University of ³Ô¹ÏÍø and may be checked by the Quality Assurance Agency.
Date of Production
Winter 2024
Date approved by School Learning and Teaching Committee
Winter 2024
Date approved by School Board of Study
Winter 2024
Date approved by University Learning and Teaching Committee
Date of Annual Review
In line with the University Annual Monitoring and Review Process

 

PROGRAMME STRUCTURES

MA Art Market, Provenance and the History of Collecting [Part Time]

PMAP2PAM / Part Time / September Entry
Term 1
Autumn
The Practice of Research [L7/15U] (HPFTPRE)
Collectors , Patrons and Dealers [L7/20U] (HPFCOPD)
Term 2
Winter
Art across Borders: Networks, Collecting, and Conquest [L7/20U] (HPFARBO)
Objects Interpretation Project [L7/15U] (HPFOBIP)
Term 3
Spring
Objects Interpretation Project [L7/15U] (HPFOBIP)
(Continued)
Term 4
Autumn
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFAMPT)
Term 5
Winter
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFAMPT)
(Continued)
Architecture, Power and Display: The Town and Country House in Europe [L7/20U] (HPFAPDT)
Term 6
Spring
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFAMPT)
(Continued)
Cabinets of Curiosities and the Shaping of Knowledge [L7/15U] (HPFCABC)
Term 7
Summer
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFAMPT)
(Continued)

 

MA Art Market, Provenance and the History of Collecting

PMAF1PAM / Full Time / September Entry
Term 1
Autumn
The Practice of Research [L7/15U] (HPFTPRE)
Collectors , Patrons and Dealers [L7/20U] (HPFCOPD)
Term 2
Winter
Art across Borders: Networks, Collecting, and Conquest [L7/20U] (HPFARBO)
Architecture, Power and Display: The Town and Country House in Europe [L7/20U] (HPFAPDT)
Objects Interpretation Project [L7/15U] (HPFOBIP)
Term 3
Spring
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFMAAM)
Cabinets of Curiosities and the Shaping of Knowledge [L7/15U] (HPFCABC)
Objects Interpretation Project [L7/15U] (HPFOBIP)
(Continued)
Term 4
Summer
Dissertation (Art Market, Provenance and the History of Collecting) [L7/75U] (HPFMAAM)
(Continued)